Beginning with an aggravating phone call, a strange request, and the sudden disappearance of a mother and her daughter, Unknown Caller moves backwards in time and across several continents to tell a funny, moving, and genuinely surprising story about families, misunderstandings, secrets, falls from grace, and chances for redemption.
Intricate, Pinteresque, and wholly compelling, Debra Spark's new novel spans countries and decades, messes with time, and continues to upend everything you thought you knew about the characters. It's masterful and I devoured it.
— Lily King
Debra Spark's Unknown Caller is a pageant of mysteries: the breathless mystery of its page-turning narrative, the deeper mystery of the affections that connect her far-flung characters, and the abiding mystery of how this virtuosic author has infused her story with such an embarrassment of emotional riches. It's the kind of book you'd rather be reading than doing whatever else you're doing. I enjoyed it immensely.
From Victorian toy theatres to a painting with a mysterious story behind it to a graphic novelist’s battle with the schizophrenia that causes her cartoon characters to march off the page, the novella and six stories in Debra Spark’s The Pretty Girl revolve around artists, artistry, and the magical—sometimes malicious—deceptions they create.
“Reading this book, I felt the world I live in melt away. Each story is so different from the next, each character a little code to be cracked, each time period and geographical location completely convincing, each life thoroughly absorbing. A strange, illuminating, and compelling book. Like falling into a cloud.”
— Monica Wood
“The Pretty Girl ends exactly as it should (a rare feat), and yet I hated for the novella to be over. Spark is a writer both to admire and to enjoy. Among the pleasures: her sly wit, her deep affection for her characters, her mastery for dialogue, her curiosity about the world, her sheer invention, and the way she seems to effortlessly thread the strands of her stories together. This collection is wonderful company."
— Jane Hamilton
Winner of the Michigan Literary Fiction Award
Debra Spark's humor crackles in her third novel, a smart and sexy story set in Madison, Wisconsin and concerning family and friends who clash over an anti-Semitic mystery, office politics, and romantic relationships.
“Spark is at her sly, funny, and cutting best in her third novel, a clever and affecting variation on the biblical story of Esther.”
In this collection of nine entertaining and instructive essays, Spark pursues key questions that face both aspiring and accomplished fiction writers.
“[Spark’s] lines of inquiry are significant. Her observations about craft are fluent. And her ability to both analyze fiction and respect its mystery makes for a suitably frank and bemused perspective…”
In Debra Spark’s second novel, Charlotte Lewin navigates the heat of Barbados—jewel-encrusted menorah in hand—and tries not to upset the delicate relations between the island’s Jews and non-Jews.
“A page turner—a break in the often artful yet sluggishly paced ranks of literary fiction.”
Winner of the John C. Zacharis First Book Award
Barnes & Noble BookSense Selection
Debra Spark’s recently reissued debut novel opens on the doorstep of a bakery on a blue street in Puerto Rico, where Maria Elena faints…only to be revived by sweet morsels of wedding cake.
“Eloquent and enchanting... a delightful novel...reminiscent of Gabriel García Márquez and Isabel Allende.”
— The Boston Book Review
At just 23-years-old, Debra Spark edited this anthology of early stories by David Leavitt, Lorrie Moore, Susan Minot, Ann Patchett, Bret Lott, and many more.
"The after-effect of this anthology is good goose bumps."
— Carolyn Chute
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